![]() ![]() The best-known video editing and effects program, Adobe After Effects, is primarily thought of as a moving image toolset but has provided great opportunities for still photographers for some time.īut is it the only video effects program available? Not by a long shot. They opened up new possibilities to shoot both video and photography at a professional and amateur level and are now the norm. Hybrid cameras – which shoot both video and photography to an extremely high level – have been popular since the Canon 5D Mark II. With the development of digitisation, the gap between still and motion photography has decreased, and creativity often moves seamlessly between the two. If you’re new to After Effects after subscribing to Adobe Creative Cloud then these should give you a taster of what you’ve got at your fingertips.Photographers are increasingly moving into video to support their photography and to widen client services. In this tutorial motion graphics artist and trainer John Dickinson demonstrates what’s new in After Effects 12.1 and in the tutorial below some of the useful new features in Adobe CC. Making The Most of After Effects Latest Features The next tutorial demonstrates how to use Newton, the physics simulation plugin that design studio Buck used to create parts of the spot. In this short tutorial from the Macbreak Studio guys you can learn some vital things about mimicking this look in Apple’s Motion 5. If you watched the Apple Developer’s Conference Keynote earlier this year you will have seen this amazing piece of animation design work. Motion Graphics Inspiration – Apple Intro Animation A useful way to highlight key areas of an image, or just explosions! In the following tutorial After Effects guru Andrew Kramer from Video CoPilot demonstrates a simple but useful effect for adding a selective glow to a particular color. Understanding these techniques would come in handy for many a title sequence. In the next tutorial Simon demonstrates how to create a particle collision, which also involves a custom lens flare. A common effect but nice to be able to fully customise it yourself. ![]() ![]() Simon Ubsdell demonstrates how to create a TV glitch/interference effect in Motion 5 from scratch. To create the same effect in After Effects check out this tutorial from Andrew Kramer that has been viewed over 2.7 million times! How to Create a Zoom Out from Space EffectĪnother popular effect is that of the ”huge zoom out” or the ‘Cosmic Zoom Out‘ as the chaps from MacBreak Studio describe it in this Motion tutorial. In the tutorial Joe references a stunning sequence he created for WWF using this technique which was racked up over 500,000 views after becoming a Vimeo Staff Pick: In this excellent short tutorial, Joe Fellows – a UK based graphics artist, demonstrates how to create a 2.5D parallax effect on your still images. Simple Motion Graphics Techniques For Editors Discover the Latest Features in After Effects Motion Graphics Inspiration – Apple Intro Effectĥ. How to Create a Zoom Out from Space EffectĤ. Simple Motion Graphics Techniques for EditorsĢ. Post highlights include ( click to jump to each section): 1. In the tutorial above Angie Taylor from Video2Brain talks you through some of the essential basics for working with text in your video project in three packed minutes. Although most of the resources in this post focus on Adobe After Effects or Apple Motion you can still apply the concepts and techniques in many other applications. Personally I find the design process much harder than the technical process of making things move but this round up of resources should help you on both fronts. If you can deliver the goods they’ll love you for it. ![]() Being able to design and create motion graphics that work in your edit is a great skill to have, these resources will help you get there.Īs an editor, producers and directors will often ask you if you ‘know After Effects’, by which they mean can you add in some simple animations here or some fancy graphic overlays there. ![]()
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